Newly appointed 7th-generation head of the Takematsu Union’s Kurumaya faction, Atsumi Toraji (Kazuyoshi Ozawa), recklessly squanders drug money on partying and harms Noboru, the underling of his sworn brother Hiroshi (Yasukaze Motomiya), ignoring the pleas of Hiroshi and Sakura (Yuma Asami). Despite growing resentment among Hiroshi’s men, Hiroshi can’t abandon Toraji, his elder brother-in-arms. But when Toraji causes an incident, the third-generation head of the Tago family, Dazai (Ryuji Harada), severs ties with Kurumaya. Hiroshi rushes to apologize but is turned away. Enraged by Hiroshi’s actions, Toraji expels him and his men. Now alone, Toraji begins to put a mysterious plan into motion...

The Kanto Mutsumo-kai, one of Japan's foremost gangster organisations, is under the dictatorship of Sugo, the third president of the Ryujin clan, and Saito, its president. Toraji (Ozawa Kazuyoshi), who rebelled against this dictatorship but was unsuccessfully insulated and expelled, is picked up by his uncle Ryuzo and joins the Takematsu Rengokai. Toraji recruits a group of local delinquents headed by Hiroshi Maeda (Yasukaze Motomiya) into his ranks and begins a guerrilla war against the Kanto Rikukai-affiliated Yoshinin-kai. The two expand their power, but Toraji begins to dabble in stimulants and gradually goes berserk. An assassination plot is hatched against Toraji, and Hiroshi tries to stop it.

The martial arts group Jin and the economic yakuza Yoshiro Jinyoshi combination ended the conflict with the homology group, and after receiving the orders of Sumida River Association Chairman Sunagawa, Jin was finally appointed as acting leader of the Sunagawa group. Mizuta, the leader of the Ryugumi, who had long wanted to smoke the existence of the two, was dissatisfied with this decision of Sunagawa, and suspected that Sunagawa might be trying to take over the Sumida River Association and eventually the Kanto Ichienkai in the future.Come to embrace. Paddy looks at Aoki, the remnant of the Kurokawa group, who was once crushed by the two, trying to hold his breath while Hitoshi is still in the position of acting group leader.

Based on the comic book series by Shuushi Mizuho.

A big American boss landed in Japan in search of funding sources. A lone wolf trying to stop it ends up fighting against his big brother's organization and emerging powers. A huge gangster story depicting a three-way turf war on a large scale.

A sequel to No Entry (2005).

After the fierce conflict, the sand group and the dragon party were under the control of the same Kanto Ichienkai. One day, Kuroki, the driving force behind the end of the war, returned in the shape of a sword. At the dragon party, Odashima, who was Kuroki's younger brother, sprinkled a shab of the law on the sand group Shima and began to harass him. Hitoshi and Yoshiro, who realized that the aim was the Shima of the sand group, immediately talked to Odashima.

我们构建的世界是个什么样？ 　　《游乐场》之后两个月，我完成了这部作品。灵感来自一种视幻效果，比如埃舍尔的画。创作这部电影我用了等距画法。我的想法是只用长方形和平行六边形的转换来完成一部很牛的作品。我用了几何动画的方法，一种用在电影《大都市》中的技法。和《奇特细胞》一样，我也延续了它的创作手法。我希望最终发现第三种另类的方法用在我的电影里。

Haru and Shingo’s days remain filled with constant brawls.When a new transfer student arrives, Haru braces for a rival—only to discover the newcomer is Kana’s older brother.While Haru awkwardly tries to get closer to Kana, disaster strikes: she is kidnapped by students from a rival school.United by rage, Haru and the others charge in for a rescue—only to face an unseen threat waiting for them.

我们构建的世界是个什么样？ 　　《游乐场》之后两个月，我完成了这部作品。灵感来自一种视幻效果，比如埃舍尔的画。创作这部电影我用了等距画法。我的想法是只用长方形和平行六边形的转换来完成一部很牛的作品。我用了几何动画的方法，一种用在电影《大都市》中的技法。和《奇特细胞》一样，我也延续了它的创作手法。我希望最终发现第三种另类的方法用在我的电影里。